Taking from the style of Egyptian figures, Greek kouroi often have their left leg extended forward as though walking; however, the figurine looks as though it could be either standing still or taking a long stride.A small number of early kouroi are belted around their waists, a practice that died out at the turn of the sixth century.

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A 1978 study by Eleanor Guralnick applied stereophotogrammetric measurement and cluster analysis to a number of Greek and Egyptian statues and found the correlation between the Second Canon of the 26th Dynasty and Greek kouroi to be widely distributed but not universal.

The problem of the evolution of the kouros type is inevitably linked to that of the overall development of monumental Archaic Greek sculpture.

given to free-standing ancient Greek sculptures which first appear in the Archaic period in Greece and represent nude male youths.

In Ancient Greek kouros means "youth, boy, especially of noble rank".

They are typically life-sized, though early colossal examples are up to 3 meters tall.

The female sculptural counterpart of the kouros is the kore.

Indeed, some kouroi placed in sanctuaries were not inscribed with the name of the god but with a mortal, for example the 'Delphi Twins' Kleobis and Biton were honoured for their piety with matching kouroi.

A direct influence between Egyptian sculptures (in particular the figure of Horus) and the kouros type has long been conjectured, not least because of trade and cultural relations that are known to have existed since the mid-seventh century BCE.

Such belts have traditionally been assumed to be an abbreviated symbol of a more complex costume, suggests in her 1977 The Archaic Style in Greek Sculpture that this may have been an attribute of Apollo, athleticism or magical powers, though its iconography remains obscure.